John Donne holds a special place in my heart. Like most American teenagers, my exposure to the Donne began with a reading of his (in)famous poem “The Flea” in high school literature class, and continued with Hugh Grant’s misquotation of his most famous utterance (“No man is an island…”) in About a Boy.
I admit, that is a relatively inauspicious introduction to a 400 year-old master poet; but somewhere along the way, I picked up his collected works, and beneath the pop-culture references and sexual innuendos, my appreciation for him deepened. He was man both serious of thought and avaricious for a cheap pun (much like William Shakespeare). He admired poetry almost as much as he lusted after women. He longed for love above all else (even as he was skeptical of its motivations); and he saw in love a need for both the physical and the metaphysical. Donne never worshipped either the concept of love or its human incarnation in the form of a specific person. Instead, his deepest longing was for the intersect of the two. And it was there, at the crossroads between the natural and the supernatural, that Donne found adoration:
TWICE or thrice had I loved thee,
Before I knew thy face or name ;
So in a voice, so in a shapeless flame
Angels affect us oft, and worshipp'd be.
Still when, to where thou wert, I came,
Some lovely glorious nothing did I see.
But since my soul, whose child love is,
Takes limbs of flesh, and else could nothing do,
More subtle than the parent is
Love must not be, but take a body too ;
And therefore what thou wert, and who,
I bid Love ask, and now
That it assume thy body, I allow,
And fix itself in thy lip, eye, and brow.
("Air and Angels", John Donne)
I’ve been there, have you?
Sure you have. You cruise down the road listening to John Mayer’s “Love Song for No One” and dream of the day that you will meet not love itself, but the human being who, for you, will be love. You make lists of the character qualities that will define your beloved then compromise those qualities for something better (and utterly unexpected) when he or she comes along. You hope, and dream, and wish for someone to give you that something that you see missing in your life. And you pray that when you find that person, you will forever adore them, and they will forever adore you.
Adoration. It is the only word that connotes that glorious intersect of honor, respect, and fervent love. It is the quality that enables both worship and its corollary, submission; and it is a type of love or honor that requires both the physical (a person or deity) and the metaphysical or supernatural (belief, hope, faith). You can love a concept (freedom!). You can feel passionately about an idea (equality!). But you can adore only another being (Mom!). Rather than a virtue, in its purity and naivety adoration seems, at times, nothing more than a youthful ideal. And by the time we are adults, it has often faded into just that, an ideal.
We all have our reasons. You adored a mentor (parent, teacher, grandparent), and they abandoned you when you needed them most. You loved a woman so much your heart ached every time you saw her – right up until the moment (or even beyond the moment) you saw her abandon your adoration and walk away. You had faith in a leader – political, religious, cultural – and then they lost your admiration in the heat of scandal. Regardless of the circumstance, something happened to your respect or love for that person that dampened and then extinguished your adoration for them; and with every lost object of adoration, your belief in the very concept of adoration slipped a little further into chasm of disappointment and doubt.
But read “Air and Angels” once again. Beyond your disappointment, anger, sadness, and despair, isn’t there something in you that still longs for the hopeful feeling that adoration brings? Is life really worth it without the hope or possibility of adoration? Isn’t there something in you that still wants to find something, someone you truly consider better than yourself so that you can fight, lay down, submit, or worship again. You see, the more I think about my own life, the more I realize it is almost impossible to sing the praises of another unless you, at some level, adore them (an adoration rooted in selflessness!), and you can’t have adoration for someone else until you are willing to take a chance on someone else – even at the risk that they might not always adore you.
But adoration is a fragile thing, and I have also learned, the hard way, that it is a virtue that must be treated with care. You see, we live in a culture (as did Donne), where we throw our adoration around too easily in youth and lose it because we treat it with intemperance. Meanwhile, real adoration depends on finding an object that is truly worthy of our adoration and sticking to it. We are called to love (agape) everyone. But our adoration should be reserved for a select few so that it is preserved for the times when we finally find an outlet worthy of its honor. And we should assure that unlike some lesser virtue or vice like infatuation, our adoration is rooted in truth, and has the permanence and dedication such a sacred quality should enjoy. We should not take adoration lightly; and we must fight for its survival in our hearts even when the feelings that gave it birth have started to fade.
That is the life of John Donne. When he was younger, much of his writing revolved around his notorious love of women; but as he aged, his adoration shifted from the fairer sex to the God of his heart, and his poetry, ever beautiful, followed suit. In “Batter my heart, three person’d God” Donne writes:
Batter my heart, three-person'd God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise and stand, o'erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurp'd town to'another due,
Labor to admit you, but oh, to no end;
Reason, your viceroy in me, me should defend,
But is captiv'd, and proves weak or untrue.
Yet dearly I love you, and would be lov'd fain,
But am betroth'd unto your enemy;
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.
.
You see, like us, Donne experienced the disappointment of lost adoration; and over the course of his life, he learned not to abandon adoration, but to place it properly, to reserve it for the deepest of relationships, and to hold it only for those to whom he was willing to give his life. The object of his affection and respect may differ from ours, but it was important for him to find it and stick with it – because it enabled in him a tiny piece of that most important virtue, Love.
I am not yet sure where to place my adoration (though in some areas of my life, it grows clearer everyday). I have adored and been adored and seen those faces of adoration fade away in the harsh realities of time. But unless I hold on to a willingness to adore someone, some being “before [I know his/her] face or name” – I know that some part of what I have always loved about myself, and about life, will be lost. Adoration is a tough virtue to figure out. But it is worth the fight – even if, for a time, it is caught somewhere between air and angels, tangled in the lost refrains of a love song for no one. That, I think, is a cheesy motto even John Donne could appreciate.
Note: I once wrote a poem that seems appropriate. Find it here.